Clemencia

Off-shoulder gowns have a vocabulary. Clemencia rewrites it.

The silhouette is a full A-line ball gown, the skirt wide and layered in cloud-white organza, spilling into a cathedral train. The bodice is strapless and structured — a tightly gathered, ruched construction in the same white fabric, the fabric manipulated into a horizontal ridged texture rather than left smooth. But the defining element is not the bodice or skirt: it is the sleeves.

Detachable off-shoulder sleeves are constructed from voluminous sculpted organza — large, ruffled, three-dimensional forms that extend from shoulder to mid-upper-arm and curve outward dramatically from the body. They are neither petal nor ruffle in any conventional sense — they are closer to architectural volumes, each one individually formed. When worn, they transform the gown's silhouette from a clean ball gown into something sculptural. When removed, the gown becomes a strapless A-line. The back is open and low, the same gathered bodice texture continuing around, and a large sculpted bow anchors the transition from bodice to skirt.

Hand-constructed in Innocentia's European atelier. White organza A-line ball gown, gathered ruched bodice, detachable sculpted off-shoulder organza sleeves, back bow, cathedral train.

Clemencia (INW2435). Innocentia — Avant-garde collection.

Available through Innocentia stockists worldwide.
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