Tamara de Lempicka painted the 1920s as she lived them — bold geometry, lacquered surfaces, women who looked directly at the viewer and dared them to look away. This gown carries that same unapologetic confidence: clean lines, no unnecessary ornament, pure silhouette.
A high-neck column gown with long sleeves in an Art Deco-influenced lace. The entire dress is constructed from a single pattern language — geometric and organic motifs interlock across the sheer mesh base, creating a second-skin effect from the mandarin collar through the fitted sleeves and down the body-skimming skirt. The lace pattern features angular, almost architectural lines mixed with abstracted botanical forms, producing a visual rhythm that references both Art Deco ironwork and natural branching patterns.
The skirt extends into a soft chapel train, maintaining the column silhouette without any volume or flare. The high neckline and full coverage create a sense of modesty that is contradicted by the sheer mesh base — a tension between concealment and revelation that defines the design.
Hand-finished in Innocentia's European atelier. Geometric botanical lace, illusion mesh, mandarin collar, column silhouette.
Tamara de Lempicka (INL2514). Innocentia Divina — Luce della Luna collection.
Available through Innocentia stockists worldwide.
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