Look up. The crystals cover everything — bodice, waist, skirt, train — like a night sky brought indoors.
An A-line silhouette with a structured sweetheart corset and a full tulle skirt that extends to a cathedral train. The proportions are classic. The surface is not.
Dense hand-beaded embroidery covers every square centimetre. Pearl clusters, sequins, and crystals are scattered in organic cascading patterns — heavier at the corset, lighter toward the hem, as if the light is falling downward. The effect is a gown that shimmers from every angle without a single focal point.
No detachable elements. No slit. The sparkle is the statement.
Dora Maar was a photographer and surrealist artist before Picasso entered her life — and she remained one after. Her photomontages played with light, shadow, and impossible surfaces. This gown is that: a surface that should not exist, and yet it does.
Hand-beaded in Innocentia's European atelier. Crystals, pearls, and sequins throughout.
Dora Maar (INL2705). Innocentia Divina — Muse collection.
Available through Innocentia stockists worldwide.
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