Maria Falconetti made the most demanding film in silent cinema's history — a face holding everything. This gown is built for a presence that needs no adornment to fill a space, and then gives it adornment anyway.
An A-line silhouette with a deep V-neckline and long sheer sleeves, the bodice entirely covered in dimensional beading and lace florals. The sleeves are constructed from sheer illusion mesh, fitted and long, with large dimensional floral shoulder accents that lift from the shoulder in three-dimensional organza forms — oversized blooms that function as both sleeve attachment and statement. Large ruffled floral elements also appear at the wrist, one hand holding a matching corsage or clutch. The V-neck bodice continues in lace-beaded mesh; the A-line skirt falls in ivory tulle with botanical embroidery scattered across its surface. From behind, the sheer sleeves reveal the arms, the deep V back echoing the front's openness while the floral shoulder work frames the back of the neck.
The shoulder florals are the gown's architectural signature — extravagant in scale, precise in construction.
Hand-embroidered in Innocentia's European atelier. Beaded lace bodice, illusion sleeves, oversized dimensional organza shoulder florals.
Maria Falconetti (INL2611). Innocentia Divina — Temple de l'âme collection.
Available through Innocentia stockists worldwide.
Innocentia gowns are distributed through authorized bridal boutiques across 22 countries. Find a stockist near you →
Exclusively available through selected bridal boutiques
